Right Musicians Use Superior Intellect to Avoid Being Blacklisted

Right-Wing Musicians Must Be Clever, Well-Read to Promote Their Message Without Being Blacklisted by Music Industry

By: Peter Egan

It’s no secret an overwhelming percentage of the biggest names in all of showbusiness are not only left-of-center politically,  and that “outing” oneself (or being “outed”) as holding views that aren’t 100% in lock-step with the Democrat party, which has become the most extreme, left-wing, anti-American and either mentally ill of comprised entirely of sociopaths, can spell the end of one’s career, or for the very best in their industry, it will cost them money. This is true whether it be movies, television, print media, music, any other kind of acting as well as online media (written, and video).

311 NOLA

However not everyone sold their soul to get to the top of their respective industries. 311 has been a very popular band with global following that could sell out a 50,000 seat venue (mostly with people who’ve seen them in concert before and/or traveled from elsewhere in the country or world to attend the concert). They have revealed in their lyrics that while they’re not (as a group anyway) hyperpolitical, they do consistently write right-of-center lyrics for songs related to politics, typically from the view of a libertarian-leaning conservative. There are so many examples I could list here, but I’ll stick to a few obvious ones at first, then add more to the article as time permits.

From Chaos, Don’t Tread on Me, Evolver, Grassroots and Music all have songs for which I could make the argument.

Listen to DTOM, Thank Your Lucky Stars, Solar Flare and Still Dreaming. That’s four songs on one album that support my argument. DTOM, is widely known as beginning with the Gadsden flag. 311 was just ahead of the curve as it wasn’t until two full years after the album was released that the slogan was revived (among political activists) in resistance to Obama’s attempt at a Presidency.

311 in NOLA 2017

From From Chaos, listen to “Wake Your Mind Up” and “Reconsider Everything.” There would be no need to reconsider everything you’ve ever learned if the left hadn’t turned the education system and the media into brainwashing ideological tools. That’s another thing, 311 has made more than one negative reference to the media. Why do that if you agree with them?

While stopping short of admitting their views in unmistakable terms, they’ve made so many references, songs and verses in songs that support my claim (that 311 as a group leans right-of-center politically on most issues mentioned in their work), that if I were to list them all it would be nearly impossible to argue the assertion with a straight face.

I will give it to Lil Wayne for having read Ayn Rand and writing a song about Atlas Shrugged where he got Marshall Mathers to rap the lyrics of a character in the novel who represents views he personally strongly disagrees with. “Drop the World” is the song I’m referencing, and having read the book I can’t see any way every line wasn’t intentional, much less his Atlas pose in the video (0:55 second mark).

Lil Wayne Featuring Eminem: DroFrom p the World (Explicit Language)

Compare the two images below:

 

Plus, the lyrics (to me at least) are obviously Wayne rapping the character of Francisco D’Anconia with elements of Hank Rearden; with Mathers depicting John Galt (as in “Who is John Galt?” … Yeah, that John Galt). This is ironic because Galt is arguably the most right-wing character in the most right-wing book of all fictional literature throughout all of history, Mathers an unapologetic leftist. Wayne basically punked him in getting him to contribute to the most popular right-wing political hit song I’ve heard since 311’s “Don’t Tread on Me” and “Thank Your Lucky Stars.” FWIW, Atlas Shrugged was written 70 years ago about present-day America and the world.


*Spoiler Alert*

John Galt was the man who “stopped the motor of the world” / “stopped the world” (both were used IIRC) in the novel. Wayne does the post right before the first time he says “Drop the World.” The novel got it’s name because of dialog between characters in which one asked another what would happen if Atlas (the producers – taxpayers) were merely to shrug. Atlas in Greek mythology was tricked into having to bear the weight of the world on his shoulders for all eternity. Wayne’s been imprisoned on victimless crimes, and had untold tens of millions of dollars stolen from him by the government. .Make no mistake, Wayne is as right-wing as they come. In “Drop the World,” he did a masterful job of communicating that message to an audience who agrees and has read the novel, using language that someone who hadn’t read all 1,200 pages could interpret differently. Leftists can’t read more than 50 or so pages before shutting the book in horror and reburying their heads in sand. They’d rather be wrong and keep their present views than even so much as contemplate allowing a new way of thinking which inevitably require consuming factual information that totally destroys their entire world as they understand it and forces them to think. They’d rather be told what to think and blindly trust those thinking for them than face the fear of thinking for themselves.

Other bands who have written songs that would imply that at least one member of the band (whoever is writing the lyrics) is likely right-of-center in my estimation would also include Metallica (their version of DTOM was more unmistakable than 311’s), Iron Maiden, Ben Folds Five, Jurassic 5, Incubus, Slaghterhose (and each artist individually in the group) and almost all country music. Even Pearl Jam songs could be interpreted as right-of-center (Greivance is the first to come to Mind, Glorified-G as well), however they have publicly advocated left-wing positions even when lyrics suggest otherwise, so who knows with them?

Rock and Roll the Right Way

 

Truth is most probably would say the leftist position as representative of their music if asked knowing that doing so can lead to free publicity and inclusion in festivals and events at which they’d otherwise not be invited to perform. Once a person exposed to the music becomes a fan, they can listen to the words themselves and where inconsistencies exist can determine what to believe to be true.

If an artist is going to use his or her platform and publicity to advocate for a political cause or criticize another, they’d better agree with me or I won’t listen to them or support them in any way. If they keep their mouths shut and say nothing at all except with their music, I can appreciate that and enjoy that. This is especially true when you have to be smart, educated, have a plus vocabulary, have above-average processing capability and be able to use the information available to extract context and eventually meaning through a heavily encoded message with all the work to encode so only the desired audience gets it is extremely impressive and beyond any of my capabilities. I lack the creativity to encode the way these artists do such that millions of people who listen to a given song won’t think twice about it’s meaning, while the same song communicates important information to those the artist(s) is deliberately trying to reach without tipping off even one from the other side.

311 Performs in New Orleans

Peter Egan Attends His Tenth 311 Concert in New Orleans at Champions Square

By: Peter Egan

311 still has “it” after 27 years performing as a band

311 Symbol

Friday, August 04 2017, Peter Egan attended his tenth Three-Eleven concert in his lifetime, and the band didn’t disappoint. The performance (not including “New Politics” and any other opening acts) lasted about two-and-a-half hours, which was barely enough time for the group to play MOST of their albums, while performing nine songs from their new release, Mosaic311 Mosaic.

It would be easier to identify the albums from which 311 did not perform aNick Hexum song than to list those from which it did. 311 performed a total of 24 songs, including the extended version of Applied Science when band members take their traditional break, followed by all five band-mates beating on the drums simultaneously.

The set list for the show is as follows:

Song Title – Album

  1. Perfect Mistake – Mosaic
  2. All Mixed Up – Blue Album
  3. Homebrew – Grassroots
  4. Too Much to Think – Mosaic
  5. Beautiful Disaster – Transistor
  6. Extension – Mosaic
  7. Stealing Happy Hours – Transistor
  8. Come Original – Soundsystem
  9. Hey, Yo (Not “Hey You”) – Mosaic
  10. Bass Solo – (N/A)
  11. What Was I thinking? – Transistor
  12. Wildfire – Mosaic
  13. Amber – From Chaos
  14. Freeze Time – Soundsystem
  15. Applied Science – Music
  16. ’Til the City’s on Fire – Mosaic
  17. Do You Right – Music
  18. Too Late – Mosaic
  19. Beyond the Grey Sky – Evolver
  20. One & the Same – Mosaic
  21. Unity – Music
  22. Down – Blue Album
  23. On a Roll – Mosaic
  24. Freak Out – Music
  25. Creatures (For a While) – Evolver
Peter Egan and friends at 311 concert in NOLA
Peter Egan enjoying the 311 show with friends.

Don’t get me wrong, I enjoyed the heck out of the show, and I’m most certainly not complaining when I point out that not a single song was performed from Don’t Tread on Me, Uplifter, Universal Pulse or Stereolithic. And of course that’s not counting all the independent releases, bonus tracks on compilation albums and other vintage 311 that you can hear on YouTube or at a 311 Day concert, but not on a studio album.

311 Performs in New Orleans, LA

Let me please make one thing very clear. I enjoy all of 311’s Music. It doesn’t matter what songs from which albums were performed at a given show, I’d have had a good time if I was there and Three-Eleven was playing. That being said it struck me as odd that there were four consecutive studio albums from which not a single song was performed during an entire concert. I can’t help but wonder if this is 311 catering to the more casual fans by mixing in the songs they’re sure to know along with the newly released stuff, or if it’s a reflection of how 311 perceives their four most recent studio albums preceding Mosaic. I would like to think it’s the former and not the latter, as there are just too many good songs on DTOM, Uplifter, Universal Pulse and Stereolithic to leave them off the set list for quality reasons.

311 Performs "Applied Science" in New Orleans

In my personal opinion, the high-point of the show was when the band performed Freeze Time, the opening song from the Soundsystem album. If I had to pick out a low or drawback of some sort, the first thing I’d do is complain about the band only performing 24 songs, or roughly two albums worth of work.

SA Martinez goes off during 311's 2017 show in New Orleans

I’m one of those spoiled 311 fans who has been to multiple 311 Day (March 11) concerts in my lifetime, and have seen the band play on for more than four hours on multiple occasions. That has to taint my opinion at least a little, as 24 seems like a perfectly reasonable number of songs to perform on a promotional tour.

311 Concert in New Orleans

If forced to pick my least favorite moment from the show (assuming there’s a gun to my head), it would have been Amber. Amber is not a bad song, it’s actually a pretty good song all things considered. However, this isn’t your average band we’re talking about, and it is my personal opinion that Amber got far more recognition than it deserved based on the quality of the song itself relative to all other 311 songs. The reason I believe this is that for decades 311 has been perceived more as a “guy band,” and the women in attendance were mainly brought there by male 311 fans.

311 in NOLA 2017

Amber got the attention of female fans, and I’m all about there being a record number of females in the audience (out of any of the ten 311 shows I’ve been to, as there was in early August of 2017 in Champions Square in New Orleans. If Amber is in any way responsible for that, wonderful. I guess the band has to take the majority opinion into account when determining which songs to play in a limited allotment of time. I just don’t think it’s as good a song as it is promoted and perceived to be relative to other 311 songs. If I could have replaced it in the set list, there’s not much 311 has ever done that you couldn’t substitute in there and at least from my opinion improve the musical quality based solely on the songs performed. Literally, just pick any song, from any album or from no album, I’ll probably like it more than Amber.

311 Mosaic Tour in New Orleans

Anyway, I’m a spoiled fan who just has to learn to accept that the band has to throw female fans a bone every show to keep them engaged. I do understand this. However, the August 04 show in New Orleans in 2017 seemed to have not only a much higher ratio of female fans than past shows I’ve been to, the female fans were every bit as into the music as were the male fans. Perhaps the perception that 311 is a “guy band” can be put to rest now?

311 Mosaic Tour in New Orleans

On a scale of 1-10, I’d give this show an 8, and that’s only because I’ve been to two 311 Day events and I know first-hand from experience what this band is capable of when they’re really motivated to please an audience. They can’t match that level of intensity every night on tour. Hence why they only do those shows once per year, max.

311 2017 Summer Tour in New Orleans

I really can’t find anything to complain about. The venue was much better than in an enclosed arena where police are looking to meet arrest quotas. The 8 was a pretty arbitrary score from a biased observer. For a concert of its nature (a stop during a summer promotional tour), this show was a ten (out of ten). It’s not plausible to compare every 311 show to 311 Day, and I’ve come to accept that with time.

When a band has been playing and making music together for 27 years uninterrupted, they may release more albums than they can touch upon during the nature of a given live performance. When you’re truly as great at what you do as are Nick Hexum, S.A. Martinez, Tim Mahoney, Pnut and Chad Sexton, these are the sorts of problems you start to create for yourselves over the course of nearly three decades.

311 2017 Show - Peter Egan

When as a fan my biggest complaint is that I didn’t hear songs I wanted to hear, and think through what it would have taken for me to have heard every 311 song I’d like to hear at a concert, I’d need a lot more than one night and they’d need more than one show. There’s just that much great material that this band has put out over the years.

If either a 311 Day concert or cruise is announced at any point in the not-too-distant future, I will eagerly buy tickets to whichever it is, and if it’s the cruise, I’d arrange for some vacation time.

Peter Egan at the 311 show August 04, 2017 in New Orleans

311 is the greatest rock band (arguably the greatest group of musicians) in my generation, and I’ll soak up every show, 311 Day and Cruise I can before they decide to hang it up.

If you missed it, 311 put on an awesome show Friday night, August 04, 2017 in New Orleans. As a writer, all I am able to do is encourage you to attend the next one near you, whoever you are and wherever you happen to be reading this.