Right Musicians Use Superior Intellect to Avoid Being Blacklisted

Right-Wing Musicians Must Be Clever, Well-Read to Promote Their Message Without Being Blacklisted by Music Industry

By: Peter Egan

It’s no secret an overwhelming percentage of the biggest names in all of showbusiness are not only left-of-center politically,  and that “outing” oneself (or being “outed”) as holding views that aren’t 100% in lock-step with the Democrat party, which has become the most extreme, left-wing, anti-American and either mentally ill of comprised entirely of sociopaths, can spell the end of one’s career, or for the very best in their industry, it will cost them money. This is true whether it be movies, television, print media, music, any other kind of acting as well as online media (written, and video).

311 NOLA

However not everyone sold their soul to get to the top of their respective industries. 311 has been a very popular band with global following that could sell out a 50,000 seat venue (mostly with people who’ve seen them in concert before and/or traveled from elsewhere in the country or world to attend the concert). They have revealed in their lyrics that while they’re not (as a group anyway) hyperpolitical, they do consistently write right-of-center lyrics for songs related to politics, typically from the view of a libertarian-leaning conservative. There are so many examples I could list here, but I’ll stick to a few obvious ones at first, then add more to the article as time permits.

From Chaos, Don’t Tread on Me, Evolver, Grassroots and Music all have songs for which I could make the argument.

Listen to DTOM, Thank Your Lucky Stars, Solar Flare and Still Dreaming. That’s four songs on one album that support my argument. DTOM, is widely known as beginning with the Gadsden flag. 311 was just ahead of the curve as it wasn’t until two full years after the album was released that the slogan was revived (among political activists) in resistance to Obama’s attempt at a Presidency.

311 in NOLA 2017

From From Chaos, listen to “Wake Your Mind Up” and “Reconsider Everything.” There would be no need to reconsider everything you’ve ever learned if the left hadn’t turned the education system and the media into brainwashing ideological tools. That’s another thing, 311 has made more than one negative reference to the media. Why do that if you agree with them?

While stopping short of admitting their views in unmistakable terms, they’ve made so many references, songs and verses in songs that support my claim (that 311 as a group leans right-of-center politically on most issues mentioned in their work), that if I were to list them all it would be nearly impossible to argue the assertion with a straight face.

I will give it to Lil Wayne for having read Ayn Rand and writing a song about Atlas Shrugged where he got Marshall Mathers to rap the lyrics of a character in the novel who represents views he personally strongly disagrees with. “Drop the World” is the song I’m referencing, and having read the book I can’t see any way every line wasn’t intentional, much less his Atlas pose in the video (0:55 second mark).

Lil Wayne Featuring Eminem: DroFrom p the World (Explicit Language)

Compare the two images below:

 

Plus, the lyrics (to me at least) are obviously Wayne rapping the character of Francisco D’Anconia with elements of Hank Rearden; with Mathers depicting John Galt (as in “Who is John Galt?” … Yeah, that John Galt). This is ironic because Galt is arguably the most right-wing character in the most right-wing book of all fictional literature throughout all of history, Mathers an unapologetic leftist. Wayne basically punked him in getting him to contribute to the most popular right-wing political hit song I’ve heard since 311’s “Don’t Tread on Me” and “Thank Your Lucky Stars.” FWIW, Atlas Shrugged was written 70 years ago about present-day America and the world.


*Spoiler Alert*

John Galt was the man who “stopped the motor of the world” / “stopped the world” (both were used IIRC) in the novel. Wayne does the post right before the first time he says “Drop the World.” The novel got it’s name because of dialog between characters in which one asked another what would happen if Atlas (the producers – taxpayers) were merely to shrug. Atlas in Greek mythology was tricked into having to bear the weight of the world on his shoulders for all eternity. Wayne’s been imprisoned on victimless crimes, and had untold tens of millions of dollars stolen from him by the government. .Make no mistake, Wayne is as right-wing as they come. In “Drop the World,” he did a masterful job of communicating that message to an audience who agrees and has read the novel, using language that someone who hadn’t read all 1,200 pages could interpret differently. Leftists can’t read more than 50 or so pages before shutting the book in horror and reburying their heads in sand. They’d rather be wrong and keep their present views than even so much as contemplate allowing a new way of thinking which inevitably require consuming factual information that totally destroys their entire world as they understand it and forces them to think. They’d rather be told what to think and blindly trust those thinking for them than face the fear of thinking for themselves.

Other bands who have written songs that would imply that at least one member of the band (whoever is writing the lyrics) is likely right-of-center in my estimation would also include Metallica (their version of DTOM was more unmistakable than 311’s), Iron Maiden, Ben Folds Five, Jurassic 5, Incubus, Slaghterhose (and each artist individually in the group) and almost all country music. Even Pearl Jam songs could be interpreted as right-of-center (Greivance is the first to come to Mind, Glorified-G as well), however they have publicly advocated left-wing positions even when lyrics suggest otherwise, so who knows with them?

Rock and Roll the Right Way

 

Truth is most probably would say the leftist position as representative of their music if asked knowing that doing so can lead to free publicity and inclusion in festivals and events at which they’d otherwise not be invited to perform. Once a person exposed to the music becomes a fan, they can listen to the words themselves and where inconsistencies exist can determine what to believe to be true.

If an artist is going to use his or her platform and publicity to advocate for a political cause or criticize another, they’d better agree with me or I won’t listen to them or support them in any way. If they keep their mouths shut and say nothing at all except with their music, I can appreciate that and enjoy that. This is especially true when you have to be smart, educated, have a plus vocabulary, have above-average processing capability and be able to use the information available to extract context and eventually meaning through a heavily encoded message with all the work to encode so only the desired audience gets it is extremely impressive and beyond any of my capabilities. I lack the creativity to encode the way these artists do such that millions of people who listen to a given song won’t think twice about it’s meaning, while the same song communicates important information to those the artist(s) is deliberately trying to reach without tipping off even one from the other side.

Author: Peter Egan

Peter Egan Full Name: Peter Festus Egan Jr. DOB: 12/26/1981 Hometown: Covington, LA Birthplace: New Orleans, LA PeterEgan.net is the official website and blog of Peter Egan, healthcare administrator from south Louisiana.

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